Sudanese-born artist Hussein Salim similarly captures that elusive juncture between the fleeting and the eternal in the radiant dreamscapes of his paintings. Having grown up under the same sheltering sky of Bowles’ novel, his work resonates with a similar intuitive understanding that, in the coruscating flatlands of the deserts, it is in the rare moments of soft, effulgent light that the most indelible impressions and lasting memories are made.