As a result of the socio-political unrest caused by the First and Second Sudanese Civil Wars, Hussein Salim, along with million others, was forced to flee his native Sudan and spend a number of years as a refugee in countries like the UK, Germany, Egypt and South Africa. His work, characterised by its use of vibrant colours, the layering of intricate patterns and the impasto painting technique, describes his journey of displacement while celebrating his homeland’s diversity and multicultural communal root. 

Salim received an initial artistic training at the University of Khartoum, which he later complemented with further studies at the University of KwaZulu-Natal, Pietermaritzburg, graduating with a master’s degree in art. In 1994 he opened an artist studio in Khartoum which aimed to engage critically with the significance of the artistic heritage of the country producing a new model of contemporary art. 

As an Artist, expression has come to me as a matter of trying to grow the feeling and capturing the essence of the little things in life (the details) in their presence and their absence. My  aim was refreshing the memory of the viewer, about shifting environments and its people. My aim was to draw light to the tiny details that no one pays attention to.

It is always a process to fully create the replicas of my view of space, atmosphere and the “ins-and-outs” of these microcosms. It is so laborious for people to appreciate the small things in life until they realize that time is running out and attempt to absorb the world all at once. I interpret this as an echo of educating the viewer. Showing the viewer how to listen carefully, and see the “seams” of the great painting that is life. In these artworks, I discovered that my purpose and my aim were the same.

The journey that I took (and I still am on) has shown me what I truly want. More. Not more of life, but more from life.

The knowledge of this understanding has changed me, as I wake up everyday, I

open my eyes a little more. I try to see a little deeper and understand the inner workings of my surroundings. I do this now with a renewed passion, commitment and sense of wonder at my findings. The growing of my experience has led me to rethink my understanding of the very world I live in.

The material used to weave the world around us cannot be truly comprehended by the human mind. For someone living the life of royalty to the poorest of the poor, I truly believe that this way of thinking can make life more dynamic and give it depth.

My artwork always needs to convey my passion. What I believe, is that artwork is supposed to reach beyond the boundary of the frame and break the laws of physics, society and the very way our minds work.

These paintings are my thoughts married with action. These are when I have “jumped out the frame”. I hope you enjoy them as much as I did creating them.

‘The Garden of Carnal Delights’, represents the marriage of the world, and the manifestation of thought all bound to the circle of life. Salim’s painting by the same name depicts the love child of the world and thought, the twins named consciousness and existence representing the void which is the absence of idea, its birth, and its death. 

Most people today are living for the next moment thereby devaluing the present moment and the sacred essence of who we are as people. We can enjoy this world of form but true satisfaction does not come from there. The world cannot make you happy. Things cannot give you happiness. Because happiness comes from a deeper place within you. Therefore this exhibition is a call for a coming into or stepping into the acceptance of a present moment. As Salim says there must be a full mindset movement from the paradigm to carry out this task to another level of inner spirituality.

He has a constant desire to reach and reveal intimate personal scenes. If one can put their eyes and their minds on the wounds and secrets of the things that they try to conceal, through my works of art, their desires to search for their own character grows, beauces painting is always a process of creating a place depicting the inside and the outside of an artist's mind and their audenice. It is an extreme effort that tries to respond to the simple and beautiful little things that are absent from us but similitanuly can heal us. It is the silent conversation, which is the teaching of the careful listening of things and their observance