This viewing room aims to introduce you to Simon Zitha and to provide a personal insight into his life, artworks and practice. The title of the viewing room is 'Khandziya e Ntshava' which means 'going up the mountain' or 'uphill battle'. This refers to Simon's connection to earth, his journey and how his story is narrated through the artworks that he creates.
These works are identity-defining for me because they speak about the rural villages of Bushbuckridge in Mpumalanga that I grew up in, the difficult upbringing, and family dynamics. The stones that I use in all of my work are stones from areas that are familiar to me. I go to the source and collect them from Mpumalanga and bring them back to my studio in the city. This is a constant comforting reminder that I may not be able to bring the rural home here with me but I can always take stones as pieces of it and the memories are kept alive by my own carving. This is valuable to me. - Simon Zitha
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Directed by Diliza Moabi
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The Stone we carry
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Homu
Cow -
Simon when asked in an interview what does he live by it was simple for him, The Cow, it’s my family totem and it is what feeds not only me, and my family but my spirit.
The Cow as a totem animal is associated with earth, medicine, motherhood with a strong mother goddess instinct. Therefore, it is not surprising that in most of Zitha’s works he pays homage to the journey of women in the world whilst still acknowledging his ancestors. In all his works he incorporates the earth as stone to show that yes they might seem as separate entities but they are one in the same.
In many cultures around the world, the cow is holy, with Hinduism believing that all cows are sacred, which is why many people of that faith do not eat cows at all. As spirit animal cows are there to help with those that are struggling with fertility usually offering motherly advice.
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I stand before a woman. She is considering whether she still wants to hang on or to let go. I stand empathic before all women who grapple with conflict. Many women carry with them abuse and discomfort and it is with great braveness that they cope with these elements and eventually release form consequential constraints - Simon Zitha
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Sibongile
Thank You -
Sibongile is the Zulu word for Thank you. Zitha in this body in his latest body of works presents woman with heavy objects on their heads. In Africa, woman can often be seen walking with large, heavy packages or items borne on their heads. However, he has also used this symbolically to represent the many hardships and responsibilities that woman are expected to perform and accept despite enormous challenges.
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Mahlavezulu
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Simon ZithaMahlavezulu, 2020Bronze76 x 34.5 x 99 cm(C003603)R 230,000.00
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In Studio
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A master craftsman, specializing in stone, Zitha has worked with Angus Taylor at Dionysus Sculpture Studio & Foundry for 15 years where he holds the position of team leader in stone carving.
The creative studio and foundry Dionysus Sculpture Works (DSW) was established by South African sculptor Angus Taylor in 1996. This creative space is constantly expanding, striving towards excellence and offering a notable contribution to the South African art scape.
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"If you want to go fast go alone. If you want to go far go together" - African Proverb