Avhashoni Ntsengeni Frederick Mainganye Mundalamo is the prolific and versatile visual artist from Phiphidi. The village’s main marvel after Mainganye is surely the Phiphidi Falls which lie within a dense forest on the Mutshundudi River near Thohoyandou. Most people of his age are flabby with pot bellies and often complain about stiff and painful joints, backaches, arthritis, ceaseless headaches, diabetes, hypertension and gout. Not for the soft-spoken Shoni or Mainganye, as he is affectionately addressed by friends. He grew up eating the nutritious mopane worms – masonja – whose protein and iodine levels are super high. And yes, art has kept him young and vibrant. Diminutive in stature, the slim and energetic grey-bearded man wearing his not-so-long dreadlocks, a pair of jeans and a military cap is a hard working artist. His ID says he was born in 1960. I meet him dressed in his apron, busy at work, at the Thohoyandou Arts and Crafts Centre, outside Thohoyandou in Limpopo province. It’s a warm Saturday late morning.

Text extrated from  Avhashoni Mainganye: tireless spirit by by Vonani Bila 

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David Phoshoko is a prominent South African artist celebrated for his dynamic and vibrant contemporary art. His work explores themes such as identity, cultural heritage, and social issues, using a variety of media including painting, drawing, and sculpture. Phoshoko's art is known for its bold use of color and intricate compositions that offer deep reflections on the human condition and South African society. Throughout his career, Phoshoko has exhibited his work both locally and internationally, earning recognition for his ability to convey powerful messages through visual media. His exhibitions often highlight the complexities of South African life, making him an influential figure in the art world. By addressing critical issues through his art, Phoshoko contributes significantly to the global conversation on contemporary African art. Phoshoko's innovative approach and dedication to his craft continue to inspire both emerging and established artists. His personal experiences and perspectives as a South African artist are integral to his work, providing a unique and insightful view of the evolving cultural landscape in South Africa.

As an artist, poet, and cultural activist, my work is a testament to the rich tapestry of African heritage and the struggle for freedom and justice in South Africa. My name is Lefifi Tladi, and through my art, I seek to capture the essence of our collective history, dreams, and resilience. My journey as an artist began in the throes of apartheid, a time when the power of expression was both a dangerous and necessary act of defiance. Art became my voice, a means to challenge oppression and inspire change. It is through painting, poetry, and performance that I convey the stories of my people, reflecting our pain, our joy, and our indomitable spirit. In my visual art, I blend traditional African motifs with contemporary techniques, creating works that are both a homage to our ancestors and a reflection of our modern reality. The vibrant colors, dynamic forms, and intricate patterns in my paintings are inspired by the rhythms of African music and dance, the landscapes of our homeland, and the enduring spirit of our people. My poetry and performances are equally integral to my artistic expression. They are the oral threads that weave through my visual creations, giving voice to the silent and the silenced. Through spoken word, I explore themes of identity, liberation, and the ongoing journey towards equality and dignity. Art, for me, is not just about aesthetics; it is a tool for education, a catalyst for social change, and a celebration of cultural identity. It is my hope that through my work, I can inspire others to see the beauty and strength in their heritage, to question the world around them, and to strive for a future where justice and creativity thrive.

Matsemela Nkoana is particularly renowned for his sculptures, which play a significant role in his artistic portfolio. His sculptures often reflect African identity, heritage, and socio-political themes. Using materials such as wood, metal, and found objects, Nkoana creates pieces that are both striking and thought-provoking. His sculptural work is characterized by its intricate detailing and innovative use of materials, often merging traditional African art forms with contemporary techniques. Nkoana's sculptures frequently depict human figures, animals, and abstract forms, each carrying profound symbolic meanings that resonate with African cultural narratives. Through his sculptures, Nkoana aims to tell stories of resilience, heritage, and the dynamic nature of African life. His work not only serves as a visual feast but also as a medium for dialogue and reflection on the rich and complex history of Africa. Nkoana's contributions to sculpture have earned him recognition and acclaim, both in South Africa and internationally, solidifying his place as a significant figure in the world of contemporary African art

The society to which we belong seems to be dying or spiritual calling and mental-health difficulties. I don't mean to sound dramatic, but clearly the dark side is rising. Things could not have been more odd and frightening in the world of visible and invisible pains, spiritual journey/ calling/gift, mental-health difficulties, violence, abused, social media and google replaces our Brain. But the tradition of artists will continue no matter what form the society takes. And this a reason I created this artworks, I as sign that people need artist, to mirror the spiritual life they living without distortion the truth of who they are.

Sfiso was active in the United Democratic Front (UDF) and his early work reflected the political conflict, daily struggles and hardships he witnessed around him. His work has a decorative, stylized approach that resembles African textile, demonstrating nostalgia for African symbols; a quest that became more urgent and challenging for him after South Africa’s first democratic elections in 1994. This led to his search for symbols of an African identity beyond the confines of his own region and this is reflected in his paintings. He builds up dense layers of colour with oil pastels and then scratches patterns into the pastel to create images, symbols and designs which are often mistaken for textile. He usually titles his works and this provides the viewer with the beginning of the story or narrative that has inspired the work. It is the African women resplendent in magnificently coloured and patterned gowns and the representation of the kings and queens of Africa in equal importance that currently dominates his artwork, reminding one of the work of artist Gustav Klimt. Sfiso has participated in numerous exhibitions in Africa and internationally. His works grace many important public, private and corporate collections including most of South Africa’s art museums and national galleries.