Nicola Roos South African, b. 1996

Overview

“At the time I was looking for common ancestors … I particularly wanted to recognise individuals from the colonial period who may have influenced the self-perception of post-colonial societies, and to commemorate them rather than condemn them.”

Nicola Roos (b. 1994, Cape Town, South Africa) is a contemporary artist acclaimed for her monumental figurative sculptures crafted from recycled rubber tyre tubing. Her work explores themes of identity, cultural hybridity, and postcolonial history, often drawing inspiration from the legend of Yasuke, the African man who became a samurai in 16th-century Japan. By merging myth and history, Roos reasserts overlooked African diasporic narratives while interrogating the politics of representation. A graduate of the Michaelis School of Fine Art, she has received multiple awards including the Michaelis Prize and the Simon Gerson Prize. Her work has been exhibited internationally in Los Angeles, San Francisco, Hamburg, and Johannesburg, and is represented in both private and public collections worldwide.
Works
  • Nicola Roos, Obsidian Samurai XXXII, 2024
    Obsidian Samurai XXXII, 2024R 460,000.00
Biography

Roos explores questions of identity, cultural hybridity, and the forgotten narratives of African diasporic history

Nicola Roos (b. 1994, Cape Town, South Africa) is a contemporary South African artist best known for her monumental figurative sculptures crafted from recycled rubber tyre tubing. Through her work, Roos explores questions of identity, cultural hybridity, and the forgotten narratives of African diasporic history. Her sculptures often depict black samurai warriors inspired by the story of Yasuke, an African man who served as a samurai in Japan during the 16th century, reimagined through a lens that fuses historical truth with mythic power.

 

Roos's practice is deeply rooted in postcolonial discourse and the politics of representation. Her work reflects on how African identities have been shaped, suppressed, and reasserted through global cultural exchange. By using rubber and other found materials, often loaded with industrial and colonial histories, she creates visceral, textural surfaces that carry both resilience and tension.

A graduate of the Michaelis School of Fine Art at the University of Cape Town, Roos's 2016 graduate exhibition earned her multiple awards including the Simon Gerson Prize (co-awarded) for producing an exceptional body of work, the Michaelis Prize for achieving 95% for Studio Work, and placement on the Faculty of Humanities Dean's List for two consecutive years. Her work has been exhibited internationally in leading galleries and institutions including Simchowitz Gallery (Los Angeles), Evergold Projects (San Francisco), Christie's Beverly Hills, and The Melrose Gallery (Johannesburg). Roos continues to push the boundaries of sculpture and narrative art, positioning herself among a new generation of African artists redefining contemporary global identity.